Jamie Bell (aka DispleasedEskimo) made this for his AS Art Course.
“This is the final piece for my AS art course, a flipbook made entirely out of biro pens. It’s something like 2100 pages long, and about 50 jotter books. I’d say I worked on and off it for roughly 3 weeks.”
I’m so old and out of touch that I don’t know how old ‘doing an AS’ makes him – but he got full marks.
I saw this at the weekend for the Winter Olympics.. and loved it.
BBC Sport – Winter Olympics Animation 2010
Marc Craste was briefed by agency RKCR/Y&R to create a film based around a legendary quest, where an Inuit hero retrieves a spiritual stone that has been stolen from a mystical totem by a giant bear. While performing his mission, our hero reveals some pretty nifty sporting skills that would prove useful at the Olympics, including skiing, snowboarding, and curling. The film was commissioned via Red Bee Media, agency: RKCR/Y&R, prod co: Studio AKA, director Marc Craste.
The beeb have a habit of commissioning smart promos for these kind of big events. Remember these?
Currently the sketch can be controlled via keyboard and mouse along with rough support for SMS control on laptops, iPhone control via OSCemote and oscP5, joystick control via proCONTROLL and midi controller support via proMIDI.
It’s available as Mac, Windows and Linux download.
Director URL: http://www.radarmusicvideos.com/users/eyebath
And this is how it got made…
This video is a member’s video from RadarMusicVideos. Radar is a network of most of the best online music video directors on the world. Directors get commissions; Bands get music videos.
Great new work by illustrator Nina Chakrabarti for Seattle magazine “I Want You”.
Nina spent her early life in Calcutta then moved to the UK in her teens. She studied illustration at Central St. Martins and at The Royal College of Art.
London creative design consultants Schulze & Webb wanted to explore the best way to visually navigate through dense cities.
What they came up with is now called “Here & There,” and it lets you simultaneously and seamlessly view a city from the point of view where your are standing and from a bird’s eye view in the sky.
Why? “Because the ability to be in a city and to see through it is a superpower, and it’s how maps should work.”
