Love this music video by Barno created around the relationship between light, music, and architecture.
The clip is defined by 3 elements:
-One videofile, shot between 2am and 6pm.
-The speed of playback of this file, which is synchronised manually to the music.
-About 50 different masks, wich define where the underlayed movie is going to appear on the screen.
This makes it possible to have multiple light situations in the same moment. So the sunlight caught from the building is the “natural” palette for the entire colors of the clip.
Love this sort of stuff. Satisfies the creative and production sides of me.
Angus Kneale of The Mill NYC, the cast and crew give us an insight into the creation of the advert, which was filmed in New York and involved state of the art technology notably the Spydercam.
This is a stunning bit of work – I’m struggling to get my head around just how good it is. Created with 3dsmax, Vray, AfterEffects and Premiere. Play it fullscreen.
A FULL-CG animated piece that tries to illustrate architecture art across a photographic point of view where main subjects are already-built spaces. Sometimes in an abstract way. Sometimes surreal.
Credits:
CG Modelling – Texturing – Illumination – Rendering by Alex Roman
Post production & Editing by Alex Roman
Music Sequenced, Orchestrated & Mixed by Alex Roman (Sonar & EWQLSO Gold Pro XP)
Sound Design by Alex Roman
Based on original scores by: Michael Laurence Edward Nyman. (The Departure) and Charles-Camille Saint-Saëns. (Le Carnaval des animaux)
Are we observing a series of scientific experiments, the universe in flux, or a documentary of a fictional world? The secret lives of invisible magnetic fields are revealed as chaotic ever-changing geometries.
Music title: MARIO BASANOV & VIDIS feat JAZZU – I’ll be gone
Director: Rimantas Lukavicius
CGI: Rimantas Lukavicius
Producers: Martynas Mickenas, Arunas Matacius
Production Company: RGB
Inspired by SOBIESKI
Year of completion: 2008